Art Revolution: Alternative Approaches for Fine Artists and by Lisa L. Cyr

By Lisa L. Cyr

With an exceptional array of media and electronic instruments at their disposal, today's artists are confronted with limitless probabilities for inventive experimentation. by no means prior to has there been such innovation within the manner paintings could be conceptualized, produced and presented.

Art Revolution is at the state-of-the-art, exploring how artists are reinterpreting, reinventing and redefining every little thing from the surfaces on which they paintings to the way in which audience engage with their accomplished items. This publication ventures off the overwhelmed route to song the artistic instructions and signature forms of twenty-one of today's such a lot visionary artists, together with Dave McKean, David Mack, Marshall Arisman and Cynthia von Buhler.

Brilliantly illustrated with artistic examples of two-dimensional, 3-dimensional, electronic and new media artwork, Art Revolution will motivate you to damage out of the confines of conventional pondering, push your content material to a better point, and revolutionize your individual method of paintings.

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Additional info for Art Revolution: Alternative Approaches for Fine Artists and Illustrators

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Conover primarily works in series and has explored the same topics since the beginning of her thirty-year career. “In various stages of my life, the same themes have to show through in the end. By exposing the layers below, been revisited,” says the artist. ” In her Contemplation of Flight series, Conover explores flight as a metaphor for freedom, transformation, change and transcendence. Angels, dragonflies and feathers act as iconic symbols throughout the body of work. ” tions through flight, whether it is physical, mental or spiritual,” says Conover.

The application of surfaces, both flexible and rigid. From metal, wood, plastic, clay custom imprints layered onto a painted surface creates visual board and tile to handmade and custom paper, as well as woven depth where the illusion of three-dimensional space is revealed and synthetic fabrics of every kind, alternative painting grounds are through the overlapping of shape, line and texture. being explored. To build the working surface, artists are altering the When it comes to creating a visually stimulating, pre-existing once traditional gesso primer with sand, sawdust, wood chips, seeds density with which to work, collage is being heavily exploited.

I am careful not to analyze too much at this stage. ” don’t censor myself on the initial drafts,” says Mack. “I find that Mack enjoys hearing from his readers, garnering feedback as to my process works best when I can get all my ideas out and then how they react to and interpret the storylines. ” finished until someone reads it,” explains Mack. “The experience When he feels comfortable with the storyline, the artist begins developing a manuscript, a working document for the that happens in one’s head is the real art of the story.

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