Acrylic Illuminations: Reflective and Luminous Acrylic by Nancy Reyner

By Nancy Reyner

50 surprising techniques...for paintings that shines above the remainder!

From the writer of the best-selling books Acrylic Revolution and Acrylic Innovation, this booklet blazes new artistic territory with 50 concepts that harness the inventive strength of sunshine. starting from refined glazing on steel leaf, to pearly sheens, to boldly coloured optical results and shiny surfboard finishes, those methods characterize the main asked features of Nancy Reyner's well known workshops. 50 crowd pleasing thoughts characteristic steel leaf, reflective paints, pouring, fluorescent and phosphorescent paints, refractive layering and optical colour results. probabilities are vividly illustrated with diversified paintings from forty four artists. A "Crash direction on Acrylic" bankruptcy deals an outline of ways to exploit those flexible paints and items to their fullest strength. This hands-on consultant presents transparent step by step instructions to effectively execute those new and interesting options. discover matte epidermis development, sheen moving, embedding gadgets, patinas and polished stone results. Use those techniques for natural, summary or practical styles...as backgrounds, most sensible layers, or accents layered in between...combine, scan, and enable your work shine.

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Extra resources for Acrylic Illuminations: Reflective and Luminous Acrylic Painting Techniques

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One of the leading Cu- ban painters, formerly a diplomat. Groups of musicans are one of his favorite subjects. His Cubist-derived forms are reduced to abstract two-dimensional patterns with intricate rhythms of line and bright vibrating colors. Bernard, Emile He studied at critic. (1868-1941). French painter, poet, and Academic Cormon in Paris and in the 1888 became the leading theoretician of the Synthetist, or Symbolist, group at Pont Aven, Brittany. His ideas and Breton paintings, in which forms are reduced to flat, outlined color shapes in the manner of medieval cloisonne enamels, had a decisive influence on Gauguin and anticipated the curvilinear style of Art Nouveau.

French Surrealist paintrr whose art. affected by medieval manuscript |)ainting. lia< 37 moved into the area of the symbolic. His forms are simplified under the influence of modern Cubism. They are. \pocalypse. Tile latter also imparts a violently primitive quality to his art. Bertram, Master (born c. S). German painter of altarpieces. He seems to have been employed by the city of Hamburg in 1367 and was in Lubeck eight years when Charles IV paid bears certain resemblances Prague. His most important painted in 1379 and now later a state visit to that city.

Toledo Museum of Art, Libbey Colleetion 6. BELLINI, GIOVANNI, Agony in the Lorenzo Giustiniani (Venice Academy), the Venetian patriHe also signed a set of painted organ shutters representing four saints (Museum of San Marco). The style of these is closer to Mantegna than anyone else. Though it is assumed arch. received their earliest training from must also have been in close contact with Mantegna, who was their brother-in-law. In 1466 Gentile was commissioned to paint two scenes from Exodus for the Scuola Grande of San Marco.

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